banner



Darsteller The Fast And The Furious

1954 moving picture past John Republic of ireland

The Fast and the Furious
The Fast and the Furious (1955 film).jpg

Vestibule carte for the film

Directed past
  • Edward Sampson
  • John Ireland
Screenplay by
  • Jerome Odlum
  • Jean Howell
Story past Roger Corman
Produced past Roger Corman
Starring
  • John Ireland
  • Dorothy Malone
  • Bruce Carlisle
  • Iris Adrian
  • Marshall Bradford
Cinematography Floyd Crosby
Edited by Edward Sampson
Music by Alexander Gerens

Production
company

Palo Alto Productions

Distributed by American Releasing Corporation

Release date

November 1954

Running time

73 minutes
Country Usa
Language English
Budget $50,000[1] [2]
Box office $250,000[3] [4] [two]

The Fast and the Furious is a 1954 American crime drama B movie from a story written by Roger Corman and screenplay by Jean Howell and Jerome Odlum. The film stars John Ireland and Dorothy Malone. Ireland besides served every bit the pic's co-director.

The Fast and the Furious was the kickoff picture produced for the American Releasing Corporation, who would get the American International Pictures company. It was the 2nd feature produced by Roger Corman.[v]

Plot [edit]

Charged with a murder he did non commit, truck commuter Frank Webster (John Republic of ireland) has broken out of jail. While on the run toward the Mexico–United States border, and the subject of radio news reports, he is cornered in a small-scale Southern California java store by a zealous denizen who is suspicious of the stranger. Frank manages to escape and, as he gets away, kidnaps a young woman named Connie (Dorothy Malone).

Frank drives off with Connie in her Jaguar sports machine. She soon proves a hard earnest, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This common struggle shortly leads the two to autumn in dear.

Continuing to elude police, the couple slips into a cross-border sports automobile race, which Frank plans to utilize to his reward to escape into United mexican states. Faber (Bruce Carlisle), one of Connie'due south friends, is wary of the new stranger driving her car and tries to learn more than nigh Frank.

During the race, Frank abandons his risk to escape when he chooses to assist Faber who has crashed. Out of sympathy for Frank and a desire to be with him, Connie informs the constabulary of his plan to reach Mexico so he might confront trial and be acquitted. At the last moment, Frank also decides it is better to turn himself in and somehow discover a time to come with Connie. The race ends with his imminent capture by the police.

Cast [edit]

  • John Ireland as Frank Webster
  • Dorothy Malone every bit Connie Adair
  • Bruce Carlisle as Faber
  • Iris Adrian as Wilma Belding
  • Marshall Bradford equally Mr. Hillman
  • Snub Pollard as a park flagman

Product [edit]

The film was based on a story by Roger Corman, who had recently moved into producing with Monster from the Bounding main Flooring. His product company was Palo Alto Productions. Corman financed the movie himself with $60,000 he received from Robert Lippert for Monster.[6]

Corman says that John Ireland only appeared in the film on the condition he could direct information technology. "John did a fine job directing on a ix-day shoot with a budget of $50,000," said Corman later.[seven] Corman also said that Dorothy Malone "had left her agent and, having no work, accepted a part for next to cypher."[eight]

The film was shot in 10 days in April 1954 nether the championship Crashout.[9] [10] (Another film would take that championship).

Corman says he "set up a little of the racing car business organisation considering I was interested in that, and I did some of the second unit of measurement stuff. But I didn't direct as such."[eleven]

The deal that Corman set up included having the local Jaguar dealer donate his cars equally well as having scenes take identify at the Monterey race rails. About of the exteriors were shot around Malibu and Point Dume, California. Corman also subbed as a commuter in the second of the Jaguar XK120 race cars.[vii]

Afterward having to operate as a 2nd unit of measurement cinematographer and director, Corman realized he wanted to directly himself.[seven] "It was later that motion picture that I decided to get a director."

Distribution [edit]

Later on weighing offers from Columbia, Centrolineal and Republic, Corman made a deal for The Fast and the Furious to exist picked up for distribution by a new company, American Releasing Corporation, formed past Sam Arkoff and James H. Nicholson. Corman said "I realized that the trap for an independent producer was that you made a picture simply waited a long time to get your money back. And then you couldn't brand many films. And what I wanted to practice was to get an advance back immediately to make a series of films." Corman says he told ARC "I would requite them the film if they would give me all of my money back immediately as an advance against distribution and I would practise the aforementioned thing on 3 more films, and then I could set myself upwards as a producer. They were happy to do that because The Fast and the Furious enabled them to start their company. It then meant that I would be able to be a steady supplier of films for them, and they could get their visitor rolling."[12] [13]

The company'southward germination was announced in October 1954, with The Fast and the Furious to be their first release. Corman'due south Palo Alto company planned to make three more features over the adjacent twelve months, starting with 5 Guns West in November.[14] ARC later became the famous American International Pictures.[15]

Reception [edit]

Critical [edit]

Variety said "Loftier-priced sportscar bombs furnish most of the action" proverb "Racing footage is interesting but becomes repetitious and helps to string out the running time to an unnecessary 73 minutes, an unhandy length for supporting playdates."[sixteen]

Film critic Leonard Maltin dismissed The Fast and the Furious as labored by "uninspired romantic interludes and cops-on-the-chase sequences."[17] CEA Film called the film "a modest second feature."[18]

Box part [edit]

The movie was pop simply struggled to recoup money for ARC because it often played on the bottom of double bills, which meant it received a flat fee instead of a per centum. Alex Gordon confirmed that saying "it before long became obvious that single B-pictures similar these first 3 [Fast and Furious, V Guns West, Apache Woman] would not work out for the new company— they played the bottom of twin- neb programming at $25 per booking. AIP would have to ain both pictures to obtain percentage bookings." This would prompt AIP to brand movies equally a package for release every bit a double bill.[xix]

However by Baronial 1955 Corman claimed he had repaid his twelve main investors in the film.[20]

Legacy [edit]

The motion-picture show was successful enough to garner Corman a three movie deal.[21] Decades afterwards, producer Neal H. Moritz and Universal Pictures licensed the championship for 2001's The Fast and the Furious. Moritz had difficulty choosing between proposed titles Racer X, Redline, Race Wars, and Street Wars, and was inspired by a documentary on American International Pictures that included Corman'due south film. Moritz was able to merchandise the employ of some stock footage to Corman for use of the title.[22]

See likewise [edit]

  • List of American films of 1954
  • Listing of films in the public domain in the The states

References [edit]

Citations [edit]

  1. ^ Frank 1998, p. 17.
  2. ^ a b "$65,000 'Twenty-four hours' may striking $1,000,000". Diversity. 22 February 1956. p. 16.
  3. ^ Arkoff and Turbo 1992, p. 35.
  4. ^ Bergan, Ronald. "Samuel Z. Arkoff." The Guardian [London (UK)], September 27, 2001, p. 24.
  5. ^ FAST AND THE FURIOUS, The Monthly Film Bulletin; London Vol. 22, Iss. 252, (Jan 1, 1955): 24.
  6. ^ Beverly Grey, Roger Corman: Claret Sucking Vampires, Mankind Eating Cockroaches and Driller Killers, AZ Ferris 2014 p 30-31
  7. ^ a b c Corman and Jerome 1990, p. 24.
  8. ^ "Corman Speaks." Positif, Issue 59, March 1964, pp. 15–28.
  9. ^ Pryor, Thomas M. "Special to the New York Times." The New York Times, April 9, 1954, p. 19.
  10. ^ "Studio Size Ups". Film Bulletin. 17 May 1954. p. eighteen.
  11. ^ Goldman, C. "An interview with Roger Corman." Moving picture Comment, seven(3), 1971, pp. 49-54. Retrieved: September 25, 2017.
  12. ^ Emery, Robert J. (2003). The Directors Accept Three. Allworth Press. pp. 120–121.
  13. ^ Corman and Jerome 1990, p. 25.
  14. ^ SIRK WILL DIRECT UNIVERSAL MOVIE New York Times 28 October 1954: 47.
  15. ^ McGee 1996, p. 21.
  16. ^ Review of movie at Variety
  17. ^ Maltin 2011, p. 444.
  18. ^ Frank, Alan G. (1998). The Films of Roger Corman: 'Shooting My Way Out of Trouble' . BT Batsford. p. 18. ISBN9780713482720.
  19. ^ Weaver, Tom (January 2004). "The Day His Earth Began". Fangoria. p. 68.
  20. ^ "Roger Corman Payoff". Variety. 17 August 1955. p. five.
  21. ^ Corman, R. (1990) How I Made a Hundred Movies in Hollywood and Never lost a Dime. Random House
  22. ^ Franich, Darren. "Fast & Furious' producer on the first motion picture: 'Nosotros were the fiddling film nobody really cared about." EW.com, May 25, 2016. Retrieved: September 25, 2017.

Bibliography [edit]

  • Arkoff, Samuel Z. and Richard Turbo. Flying Through Hollywood By the Seat of My Pants. New York: Birch Lane Press, 1992. ISBN 978-one-5597-2107-three.
  • Corman, Roger and Jim Jerome. How I Made a Hundred Movies in Hollywood and Never lost a Dime. London: Lars Müller Publishers, 1990. ISBN 978-0-3945-6974-ane.
  • Frank, Alan. The Films of Alan Frank: Shooting My Manner Out of Trouble. Bath, United kingdom: Bath Press, 1998. ISBN 978-0-6880-0842-0.
  • Maltin, Leonard. Leonard Maltin's 2012 Pic Guide. New York: Plume, 2011. ISBN 978-0-4522-9735-7.
  • McGee, Mark.Faster and Furiouser: The Revised and Fattened Fable of American International Pictures. Jefferson, North Carolina: McFarland & Company, 1996. ISBN 978-0-7864-0137-6.

External links [edit]

  • The Fast and the Furious on YouTube
  • The Fast and the Furious is available for complimentary download at the Cyberspace Archive
  • The Fast and the Furious at IMDb
  • The Fast and the Furious at the TCM Pic Database

Source: https://en.wikipedia.org/wiki/The_Fast_and_the_Furious_(1954_film)

Posted by: mclawhornapigh1968.blogspot.com

0 Response to "Darsteller The Fast And The Furious"

Post a Comment

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel